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Oscar Snub, Surprises: No Female Directors, Babylon Failed

The Oscar nominations have been full of surprises, from The Woman King to the first Marvel movie actor nomination.

LOS ANGELES — There are always some big surprises and heartbreak on the morning of Oscar nominations, no matter how hard the awards experts try to soften them up. But the group of nominees for the 95th Academy Awards seemed to have more shocking moments, both good and bad.

Here are some of the top snubs and surprises Hollywood is talking about Tuesday morning.


There are 30 movies in the Marvel Cinematic Universe, and no actor has been nominated for a role in one of them until today, when Angela Bassett broke the mold by getting a supporting actress nod for her role as a grieving queen in Black Panther: Wakanda Forever After. Bassett has been nominated before – in 1994 for her role as Tina Turner in What’s It Got to Do with Love – and now joins a small group of black women who have received multiple nominations: Whoopi Goldberg, Octavia Spencer and Viola Davis.


Gina Prince-Bythewood’s The Woman King was completely eliminated from Oscar nominations, a shocking twist for a well-reviewed blockbuster that was once widely predicted for best actress by Viola Davis as the furious leader Agoji, Best Picture. a nod and one for best director. No black woman has ever been nominated for Best Director, which is a deplorable statistic that unfortunately hasn’t changed this year.


We should have anticipated this after the directors’ and producers’ guilds selected films that were made only by men, but the Academy has a different cast. It was hoped that attendees could celebrate some of this year’s unusual films that featured a woman behind the camera, especially after two consecutive years of women taking the prize (Jane Campion and Chloe Zhao). Potential nominees included Prince-Bythewood, Sarah Polley for Women’s Talk and Charlotte Wells for After the Sun. I’m not sure if anyone expected Ruben Östlund (Triangle of Sorrow) to get one of the five directorial spots compared to James Cameron (Avatar: The Way of Water), Baz Luhrmann (Elvis) or Joseph Kosinski ( Top Gun: Maverick) too.


This year has been a good reminder that actors often value acting outside or even in spite of a film. Award organizers and strategists work throughout the year to narrow the playing field for nominees, but this year has taken a last-minute twist: A massive, celebrity-fueled social media campaign seemed to spring up for Andrea Riseborough for her performance in a little-known indie. “To Leslie”. She received the nomination after Charlize Theron, Jennifer Aniston, Edward Norton, Gwyneth Paltrow and many, many others lauded her role as a West Texas single mother seeking redemption.


Riseborough wasn’t the only surprise in the mix – Ana de Armas also received a coveted nomination for the usually poorly received Blonde. It might have been more expected after she broke through with the Screen Actors Guild nod, but the biggest shock was the complete exclusion of black women from the category, including Davis in The Woman King and Danielle Deadwyler for her universally lauded role as Mamie Till. -Bradley in Till. At least one of those spots was taken by Michelle Williams in The Fabelmans, which wasn’t a guarantee given her SAG snub.


The category of international functions always has its share of omissions. Why, after all, only five nominees represent the whole world? But this year, one of the biggest surprises was the exclusion from South Korea of ​​Park Chang Wook’s acclaimed romantic noir The Decision to Quit.


The dream of Babylon ended today as Damien Chazelle’s ode to the wild days of silent film received just three nominations below the line for costumes, music and production. The $80 million film grossed less than $30 million at the box office and divided critics. But it could also be his own origin story to reassess in years to come. Even Ishtar has become a cult classic.


Charlotte Wells’ After the Sun may have topped many critics’ best film lists, but it didn’t get much love at the Academy. The happy exception is that Paul Mescal has broken into the best actor race for his heartbreaking role as a single father on vacation with his 11-year-old daughter.


A three-hour maximalist action epic by S.S. Rajamouli’s “RRR” looked like it could break into the Best Picture nomination, but the favorite telegu movie received only one nomination – for the best song for M.M.’s “Naatu Naatu”. Kiravaani. It did not qualify for the international film category as India submitted a different film.


Speaking of best song, the Switfies – still pissed that her short film didn’t make the shortlist – got another blow on Tuesday when Taylor Swift’s “Carolina” of “Where the Crawdads Sing” was eliminated from the original songs race. . However, Diane Warren received her 14th nomination for another song from the film that not many people have heard of (in this case, “Applause” from the film “Speak Like a Woman”).


The supporting cast race may not be a race at all after Ke Hui Quan was officially nominated for “Everything Everywhere at Once”. But there were still some wild cards in that category, including nods to Brian Tyree Henry for Apple’s Causeway and Judd Hirsch, who landed mostly for one standout scene in Steven Spielberg’s Fabelmans instead of Paul Dano’s moving turn as half-fictional. Spielberg version. father.


Jordan Peele’s “No” was, admittedly, a distant chance for a Best Picture or Director nomination. But on Tuesday morning, many were surprised that nothing had reached him at all.

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